Sustainable Eco-Friendly Art – My Beginning

The definition of “sustainable art” is quite broad.  My friends at Wikipedia: “art that is produced with consideration for the wider impact of the work and its reception in relationship to its environments (social, economic, biophysical, historical and cultural).”

For me, it started 20 years ago with a rusted, ruby red Ford F150 pickup creeping through South Boston, negotiating a small scrap yard of assorted metals bouncing in the back bed.  A colorful collection of metal rods, piping and jagged sheet steel obstructed my view as I slowly backed up to the loading dock of my studio on East Second Street.   “The Distillery”. My new home and the start of what I love doing to this day…transforming post-consumer/industrial waste into something aesthetically pleasing and of value.

Boston Distillery by Paul Shampine ecofriendly stairway entance artist colony

The Distillery, East 2nd Street, South Boston, MA

I’m very fortunate to have my beginnings time-stamped by the entrance I was asked to design and construct for this great artist’s escape and personal sanctuary more than 20 years ago.  I’m happy to report that it’s still standing and we have both evolved and continue to embrace our days to come.

ecoart art4eco acrylic mixed media breaking the barrier of sustainability ecoart

Breaking the Barrier, 24”x20”, acrylic on gallery wrap canvas, mixed media.

Today I’m challenged to break the barrier between traditional sculpture and paintings, and reinvent a new form of eco-friendly mixed media work that strongly drives the message of sustaining Mother Earth.   Recycle, reuse, upcycle and conserve.

This also marks the new beginning of my traditional blog as I transition the spotlight and share the sustainability stage with my new eco-friendly media and to include the creations of other environmentally driven artists.

So, welcome to Art4Eco. I’m not the sustainability or recycling police. Just a friendly reminder to recycle, reuse, upcycle and conserve.

If you are an eco-friendly artist or know of one, please contact me directly so we can list them in our directory.

Thank you. Best regards, Paul
Paul Shampine

My Broadway, My Super Bowl…the Refrigerator.

I just opened a new box of crayons. Can you smell that? Yep. Next to them, I have a fire-engine red piece of construction paper. Can you feel it? Yep. These crayola crayonstwo powerful items have a promise that’s never broken –  to bond and create a one-of-a-kind reflective piece of life.  Just like the special bond between a parent and a child or your best friend in school who you can’t wait to see at recess.

When you move the crayons over the paper, the line always gets wider, just like Refrigerator Artour world, expanding and growing. As you start to mix colors, they form layers, like our memories with time. It starts to take form.  It’s often not what we expected….sometimes better, sometimes worse. But we created it and it’s permanent. It may be lucky enough to reach the ultimate stage, the Broadway of this special art form, known as the refrigerator. Or it might find its way across the world, and into the hands of Yolie Moreno.

Newtown Town Hall-Memorial-Panorama

This is one of many sections..

Yolie, friend and sculpture fan (inspired my Gaia series) is the creator and shepherd of the Newtown Documentation Project – a laborious, but awe-inspiring task of documenting (digitally)  an international collection of 200,000+ gifts, cards, letters  and artwork collected on behalf of the fallen souls of Sandy Hook.   As the photo documentation continues at the Newtown Town Hall, and her deadline fast approaching, Yolie makes a video pass.

For now, Yolie is focusing on her deadline and is still contemplating the home and destiny of almost a million megabytes of precious treasures.

Newtown Town Hall-Sandy Hook Memorial

“They are still with you. It will be alright.”

I was lucky enough to touch the raw, loving and caring collection of these creations today. A very heavy crayon mark for me. In my last post, I talked about the importance of living a balanced life…trying to… and to help, I suggested an expressive drawing exercise…a loud coach or a whispering mother. Maybe one of these creations can be it for you. I’m very certain Neely, Dario, Maya, Red, Avril, Hannah, Jennifer and Michael won’t mind. In fact, I think that’s what they wanted. Use them to make something more.
Best, Paul
Paul Shampine

Newtown Town Hall-Sandy Hook MemorialNewtown Town Hall-Sandy Hook Memorial

Newtown Town Hall-Sandy Hook Memorial

“I know how you feel…I lost someone before…”

Newtown Town Hall-Sandy Hook Memorial

“I grew up on 12/14/12”

Newtown Town Hall-Sandy Hook MemorialNewtown Town Hall-Sandy Hook MemorialNewtown Town Hall-Sandy Hook MemorialNewtown Town Hall-Sandy Hook MemorialNewtown Town Hall-Sandy Hook MemorialNewtown Town Hall-Sandy Hook MemorialNewtown Town Hall-Sandy Hook MemorialNewtown Town Hall-Sandy Hook MemorialNewtown Town Hall-Sandy Hook MemorialNewtown Town Hall-Sandy Hook MemorialNewtown Town Hall-Sandy Hook MemorialNewtown Town Hall-Sandy Hook MemorialNewtown Town Hall-Sandy Hook MemorialNewtown Town Hall-Sandy Hook Memorial

Healing Newtown Through the Power of the Arts is lead by a strong team – Newtown Cultural Arts Commission, who is supported by the Cultural Alliance of Western Connecticut and the Connecticut Office of the Arts (COA). To learn how you can help:

Thank you.
Best, Paul
Paul Shampine
“Living Life with Balance”

Newtown is your town. Newtown is everyone’s town. Moving forward with balance…

balance: 1. a state in which opposing forces harmonize; equilibrium.  2. mental equilibrium; mental health; calmness, a state of remaining clear-headed and unperturbed. 3.  awareness of both viewpoints or matters; neutrality; rationality; objectivity.

Simplicity is Complex Series-Agni Zotis

Simplicity is Complex Series-Agni Zotis

Some of the most complex pieces of artwork have balance – arranging elements so that no one part of a work overpowers, or seems heavier than any other part.

I live in Newtown, CT.  My three young daughters attend school in another district, in another state. When I talked to them about what happened in Newtown and why it happened, one word came to mind. It wasn’t evil.  It was balance – the importance of living our lives with balance. Balancing family, relationships, our jobs, careers, school, education, our physical and mental health, politics, religion and our environment….oh and some play time.

All of us, whether we’re a parent or not, live in Newtown or not, were greatly affected by what happened December 14, 2012. Yes, the community of Newtown has risen and rallied in model form.  They are labeled and seen as “strong.”  But Newtown is no different from your community.  If your community experienced a similar tragedy, you too would develop a volunteer task force, attend vigils and have the police forces of surrounding towns cover the Christmas shift for the emotionally and physically drained police officers forced to see this life-changing event up-close-and-personal.  Your town is Newtown and Newtown is everyone’s town.

Was the individual responsible for this abominable tragedy  living a balanced life?  Are you living a balanced life? I struggle every day. Most of us do. How can we learn from this tragedy?

Get a small piece of paper and a pencil. At the bottom of that piece of paper, write “balance.” Then emotionally put yourself in the shoes and in the house of aBalance surviving parent, brother, sister, friend, classmate or neighbor of a fallen Newtown soul.  Draw how that makes you feel. Aesthetics do not matter.  It can be a simple star, a cross, torn and ripped from the pressure of your pencil…doesn’t matter.  Put that piece of paper where you can see it every day. Put it on your dashboard, your bathroom mirror, your desk or next to your bed.   It’s a strong trigger and a poignant reminder of the importance of balance.

Lastly, whether you’re a chef, auto mechanic, artist or surgeon.  It’s all about having the right tool. It can mean the difference between success and failure.  If you ask a US Marine what a gun is, he/she may look confused because he/she doesn’t use a gun as a tool; they use a “weapon.” If a Marine uses the term “gun,” they may find themselves doing 50 pushups with three Sergeants on their back.  An assault rifle is a weapon…not a gun.  A gun is what is used to hunt for food….sport. Is there sport in an assault weapon?  By design, none. Nor should it be.  It’s a specific tool, designed for a specific task, for a specific user.

As a young adult, eager to get my driver’s license, I can still remember that sobering moment when my father stated while I buckled my seat belt, ready for my first lesson.  “You’re in control of a two-ton weapon.” he said.  I suddenly lost my smile and quickly took my hands off the wheel.  I was required to take guided lessons, practice, classes, register and pass tests.  Although I passed, it was not a guarantee that I would not be injured or cause injury.  But I felt better, my father felt better and the car in front of me and behind probably felt better….safer.

Balance is the answer. But we need patience. It’s a process. We can’t transform ourselves overnight.  That would be like trying to run a marathon without Central Park-Paul Shampinetraining.  As humans, we resist change. Change takes work. A lot of work. It requires self-awareness, acknowledgement, desire and most importantly, patience.   That’s why we often get discouraged, quit and give up.  We regress back to our years of conditioned lives….years.  We’re trying to change years of long-lived repetitive behavior.   Adding to the struggle and challenge, we’re a society where immediate gratification just isn’t quick enough.  Ok, so there are two answers…patience and balance.

Healing Newtown Through the Power of the Arts is lead by a strong team – Newtown Cultural Arts Commission, who is supported by the Cultural Alliance of Western Connecticut and the Connecticut Office of the Arts (COA). To learn how you can help:

Thank you.
Best, Paul
Paul Shampine
“Living Life with Balance”

Spiritual Liberation – make Art, view Art, buy Art

Paul ShampineTop ten reasons why I shaved my head:

10.          Humility.
9.             Eliminates bed head.
8.             Vulnerability.
7.             Saves  $519.73 annually in haircuts and hair product.
6.             Empathy.
5.             Triathlon performance…saves  3.14 seconds off my run, 2.718 on my swim and  4.20 on my bike.
4.             Vanity.
3.             Fitting in with the other inmates.
2.             Cleansing.
1.             Spiritual Liberation.

If you’re less likely to shave your head to experience spiritual liberation, then make Art, view Art or buy Art.  Start now and view the Art of Mary Blum,  Sara Biersteker, Linda Bladen and Helena Hötzl.
Thank you.

Best, Paul
Paul Shampine

Mary Blum, NYC
Summer Mary Blum 2012When did you first discover your creative talents?

In Kindergarten, a loaded brush, a bib and smile ear to ear for the praise from my teacher and classmates. . . a beginning. At 10 years old standing two feet away from the big Larry Poons dot painting at MoMA, my mother quiet on one side of me and my father standing on the other, I heard his soft voice say, “I don’t really think this is art”. I felt a slow running wave of shock moving from my feet to my now bulging eyes. How could my hero of information, a man who traveled Europe just to see the art, say something so completely illogical. I was stunned. I felt so confused and finally so angry! We had a well controlled argument in the Cafe. As I experienced the rest of our visit, blue dots still swimming in front of me, I realized, I was sort of like Larry Poons. Art didn’t have to be a particular thing. It just was. That day I gave myself permission to be an artist in “the Larry Poons sort of way”!

For an artist, selling their first piece of work is a memorable moment. Tell us about your first piece or a special piece that was sold. Selling my first piece, a glistening blue and gold leaf painting of a fish, was a thrill, not unlike the feeling that morning in Kindergarten. Selling pieces is a fascinating push pull. (I’ve signed my child up for sleep away camp, the morning comes—- his gleeful face and I think I might go a bit mad. Who’s idea was this? He’s going away). Am I taking too much money for the piece? Have I not set the price high enough? Should I have done the piece in the first place? Oh, my. Within the realm of good business sense, for me, the theme is letting go, and letting go some more. Letting go as I paint and as I offer to share a part of myself with the world.

Who are your favorite artists?  The William Bouguereau exhibition at the small museum where I worked was magic. Everyday I met his porcelain figures, his surfaces miraculous painting. Narratives that told infinite stories.
So very powerful. Then there’s Joseph Albers, formal and minimal, often repetitive. Assuring color and form. Robert Rauschenberg‘s Combines. A stuffed goat with a tire around it. I only wish I could have been the tourist who sat on it. Unfortunately it had to be repaired. An extreme sport for the tourist and the restoration team. Louise Bourgeois with her visceral eccentricities. I wonder what it would be like to be Jean Basquiat for a day.  His brief and brilliant gushing of life and paint. Or Yayoi Kusama. Dots!!! So many artists inspire me. . . so many! And I’d like to think, the best is yet to come.

Artist: Mary Blum
Title: Summer
Medium: Mixed media metallic on canvas.
Dimensions: 36 ”x 24”

Sara Biersteker, Venice Beach, CA
When did you first discover your creative talents? When my mom wanted me to clean the cat box when I was young, I would sulk in my room and draw a picture. These pictures were always the same. I would draw my mom as a massive queen in renaissance attire, sitting on a wooden throne. I would then draw myself very small and wearing rags. I would be sitting at the base of the throne with large tears that resembled bullets jutting out of my face. Once I had finished my drawing I would give it to my mom and run back to my room. Sometimes it worked and I wouldn’t have to clean the cat box. Sometimes it didn’t. I believe this is when I learned that visual representation has a great power to manipulate and therefore evoke strong emotion. Emotional responses to artwork give us, as artists, opportunities to experience our unadulterated selves. I believe that this process is the core of creativity.

For an artist, selling their first piece of work is a memorable moment. Tell us about your first piece or a special piece that was sold. The first person to approach me about buying a painting was a tall woman from Topanga Canyon. She told me that the painting reminded her of her favorite book. The painting, a 36’’ x 36’’ acrylic on canvas, I had painted for my cousin’s graduation from Berkeley. The subject was our great grandfather as a youth atop a large horse. The photo I found had been taken in old Rancho Malibu somewhere in the 1880s. Though I needed the money badly, I wanted to give the painting to my cousin so that she would feel connected to her family. I declined the offer and proceeded to give my cousin the painting. I am glad it went to her because it was created for her. She recently sent me a picture of it hanging in her bedroom of her new apartment.

Who are your favorite artists?  The artists I love change with whatever mood I’m in. My mom used to say that when I would ask her what her favorite color was. It would make me so mad. But it’s true. One artist that will always be in the forefront of my mind, though, was my grandmother. She was an advertising artist for Bullock’s-Wilshire while it was still in business. While her body of work was marked by profound control of line, she was also talented with watercolor. There are a few California coast landscapes done on cold pressed paper that hang in my studio. My favorite piece, however, is a watercolor of an old Mexican scarecrow. For years I thought it was just a man with a cigar until I finally learned to actually look at what I was seeing.

Artist: Sara Biersteker
Title: Old Rancho Malibu
Medium: Acrylic on canvas
Dimensions: 36 ”x 36”

Linda Bladen, Los Angeles, CA
Maria.Linda Bladen
When did you first discover your creative talents? My father was a professional artist in Chicago. Both my parents discovered that I could stay amused for hours with some paper and crayons. This began at a very early age – possibly around three years old. I was lucky to have my father around to validate me and encourage me. It shaped my identity as an artist from the beginning of my life.

For an artist, selling their first piece of work is a memorable moment. Tell us about your first piece or a special piece that was sold. My biggest thrill was probably when I sold a piece before the show opened. The Pittsburgh Society of Sculptors was screening for new members and then showing the work at the La fond Gallery. It was exhilarating because I was accepted into the group and then discovered a red dot next to my piece when the doors opened. It had been purchased by the juror of the show.

Who are your favorite artists?  Since I grew up going to the Art Institute of Chicago, which holds the largest collection of French Impressionists and Post Impressionists outside of Paris… I will say I love Degas, Gauguin, Caillebotte, all of them really…  van Gogh is one of the greatest painters, Camille Claudel‘s sculpture, Corot – a great innovator, the American painter George Inness, Matisse, Constantin Brancusi, Isabel Bishop‘s character studies… too many to name.  Then going back a little… Georges de La Tour and then Velasquez, who started new ideas about painting, and inspired the great portrait painters like John Singer Sargent – “a painter’s painter”.

Artist: Linda Bladen
Title: Maria
Medium: Oil on wood panel
Dimensions: 32 ”x 48”

Helena Hötzl, Alingsas, Sweden
When did you first discover your creative talents? I always used to paint and draw and worked several years as a make up artist painting faces. One day I got an email from a man at Saatchi gallery in London telling me that they liked my website and thru them I was invited to participate in a Scandinavian exhibit with the best contemporary artist in Budapest, Hungary.  That was when I realized that I actually had an creative talent in me.

For an artist, selling their first piece of work is a memorable moment. Tell us about your first piece or a special piece that was sold. I had done a piece with women with trench coats that I went to a gallery to ask them to frame it for me.  The man at the gallery looked at it and asked me who had done it? I was very shy and remember looking at the floor telling him that I did that one.  He bought it as fast as I can remember telling me how great it was.  I started to realize that maybe other people would like to buy my art too.

Who are your favorite artists?  I love Gustav Klimt. My favorite. At an exhibit I had a man told me I had some similarities of Modigliani. Never though about him but starting to like him more and more. There are so many good artist out their today.

Artist: Helena Hötzl
Title: The lady in the red dress
Medium: Acrylic/kohl and pearl liquid
Dimensions: 100 x 70 cm

Lighting strikes Mark Demos at the Fountain Art Fair! A very delayed report….but I have a note from my Doctor.

Not-So-Patient: Paul ShampineDear Art World, Please excuse Paul’s tardiness as he has suffered a comminuted Fx of the radius and humerus with magna angulation.  Cause: Stendhal Syndrome. 

Click here…

As a teenager I experimented with gravity, performing stunts beyond any “stupid” or “don’t try this at home” reality TV show. And over the past fifteen years, I’ve bread-spread layers of my epidermis at breakneck speeds on the earth’s crust motoXing, mountain biking, trail running and even a downtown Boston motorcycle spill…all without skeletal carnage. So why would a plodding minus zero mph bike accident shatter my elbow in a thousand-piece single-shade puzzle? A Buddhist Miss Ko2 - Nurse Takashi Murakami would say it was for a reason….maybe if I mack truck grillcontinued my trip I would have eaten Mack grill? OR, I wouldn’t have met the radiologist that will soon be my third wife? “No Paul,” that throaty parental voice echoed, “you’re old.”

What makes me feel young, innocent, fresh and alive? The work of Mark Demos. As I strolled around this year’s Fountain Art Fair, a wide-eyed boy in a store of porn and fuzzy wet dreams (sorry that’s the Oxy talking), I was surreptitiously drawn to Mark’s booth – close encounter-like, pulled by back-lit cryptic swaths Mark Demosof color found only in Pantone’s secret basement.  “Over the last few years I’ve added light to my art for a dream affect.  Strange how these paintings have become so cathartic that they make me feel like its a new life every day.”  Mark explains.  He attributes his supernatural palette wizardry to a negative personal incident  “wrong place, wrong time,” but for me, his work must come from a deeper encounter from within.

FAF-Mark DemosAs an exhibitor at the 2012 Fountain Art Fair, can you share your experience from your perspective? Showing at Fountain was a great experience… showing in that historic venue (69th Regiment Armory-68 Lexington Avenue and 25th Street) was exciting to see mine and others’ works in such an inspiring context.  I thought my spot was great too because when you walked in you’d see my booth glowing all the way at the end of the space.  I enjoyed time spent and speaking with exhibitors, gallerists, & art lovers at Fountain.  The event was organized and still had the laid back Fountain feel but all involved stepped it up and made this event a blast to be part of.

Mark DemosAll great artist strive to evolve, try new mediums, methods and test their creativity.  What inspired the incorporation of light with your work?  I was inspired to incorporate light once I felt my paintings became more like memories of a memory so it was dreamy.  I added light for the dream affect.  I love how the light adds dimension and more life to my works!  Some people prefer no light… the paintings are meant to be seen in 3 ways/moods.  The pieces can be viewed front light- with no back illumination front light and illuminating and in the dark illuminated.

When did you first discover your creative talents?  I first discovered my creative talents when I was a young child wearing a garbage bag, playing with my kitchen sink… my mother would give me food coloring and a bunch of clear jars and glasses and I’d mix the colors with the running water. I’d watch the colors move, change hues and form. I’d be hypnotized and play with the sink all day. I’ve since changed medium but feel the same can be told about what I do in my studio every day.

FAF-Mark DemosFor an artist, selling their first piece of work is a memorable moment. Tell us about your first piece or a special piece that was sold.  My first piece of art I sold was quite memorable because I hadn’t sold to anyone and had tons of work stockpiled in my rent stabilized apt. I was recommended by a friend to do the office of a financial company on Water St. in lower Manhattan. I met her connection and gave him 4 pictures of my work I printed 10 mins before the meeting. We met on the Union Square steps and the meeting was brief. He later called me and asked how much work I had… I told him. He later stopped by and bought ALL of my work. This gave me enough to rent my first art studio- what a stroke of good fortune. I’m so grateful to still have the luxury of an art studio today.

Who are your favorite artists? When it comes to favorite artists Richter is high on the list. Gerhard Richter has inspired me every time I view his work… online to recently at the Tate. His use of color and expression through abstraction cannot be matched. I also love Rothko because when I was a kid I thought ” I could do that”. I was wrong. His paintings glow and shake like no other and dark to light they will always shake us up with good and bad mood swings. My third on today’s list of favorite artists will finish with Adolph Gottlieb who creates gorgeously designed circles. I am obsessed with the motion of circles and to find Gottlieb later in life, makes me feel like we have something in common with one of the greats!

Since the show? I’ve been painting outside on my roof and will be showing works on my roof so when you’re on the Brooklyn Bridge you can see a piece.  I recently found a new work space way downtown lower Manhattan and it’s big so I look forward to working there.  I have a few galleries interested in my work one on the LES and the other in CT.  Hope to do a solo show soon.

Visit Mark Demos:

Thanks Mark.
Paul ShampinePaul Shampine

NYC Fountain Art Fair proves Albert was wrong, E=fA²f

Maybe hold off on changing the textbooks.  Professor Einstein was on to something…

Our task must be to free ourselves from the prison by widening our circle of Fountain Arts Fair - NYCcompassion to embrace all living creatures and the whole of nature in its beauty.(A. Einstein 1954).

As a first-timer of the Fountain Art Fair, the event was a perfect setting to fulfill Albert’s advice.  Go once and you’re a lifer as attendance reflected.

It was unlike any creative event I’ve attended.  BUT, I’m not going to disrespect the pulsing soul and ramble on about my thoughts and experiences or flood this with imagery…just go.  Trust me…just go.  It’s a true bucket list for any art lover, art collector or anyone wanting to continue or start  Albert’s pilgrimage.

The Fountain Art Fair continues through Sunday March 11.  For more info:

Paul ShampineJust a peek.  Ian Ross ( and Lindsay Carron ( infusing the mood onsite.
Ian Ross - Fountain Arts FairLindsay Carron - Fountain Arts Fair









Thank you.
Best regards, Paul
Paul Shampine

Fountain Arts Fair – NYC, March 9-11, 2012

In anticipation of this weekend’s (March 9-11) NYC Fountain Art Fair, I asked participant and past Arts PR Group interviewee Agni Zotis  her thoughts.  Also, a  short chat with  Santa Monica artist Kathleen O’Connell Kaller.

Getting ready for an exhibit, solo or joint, can be its own reality TV Agni Zotisshow….the diverse mix of personalities, stress of deadlines and production issues.  Can you share a personal experience with Fountain?  Art fairs and the art world in general are reality tv dramas, entertainment should be inevitable. This year the Fountain Art Fair is at the 69th Regiment Armory, 68 Lexington Avenue  @ 25th Street, the very first exhibition space for the Armory Show in 1913.

I was invited by my friend, sculptor Bernard Klevickas, that had the idea for a Bernard Klevickasband of artists to come together and present in a salon style exhibition, 72 artists including some friends, in booth E212 producing artwork right now in NYC. It’s an opportunity to show work, collaborate, see art, friends, parties, represent a part of the NYC art energy I am, as the world pours in to experience it.  As an active artist I have the ability to create my experience.

 I’m showing “In Haiti Kids are Eating Mud Cookies What Heels Should I Wear” at the curators request and also the painting  “Liquify Earth” the idea of the being, the self, consuming the globe, unifying, becoming one with all,   Universal Consciousness.

Thanks Agni.  From the FAF folks…the “Fair is an exhibition of avant-garde artwork founded to leverage support for smaller independent galleries to gain access to larger collectors and critics. In addition to cutting-edge art, visitors to the fair can enjoy signature elements such as on-site performance art, a major street art installation, and musical performances that Fountain has become known for integrating into the art fair experience. From presenting just 3 local exhibitors at its first fair in 2006, Fountain has grown to represent over 30 international exhibitors and independent artist projects…

Paul ShampineBuy discounted tickets online or for more info:
Best, Paul
Paul Shampine

Jumping to the West Coast, our interviews continue with Stanta Monica artist Kathleen Kaller.

Kathleen O’Connell Kaller
Kathleen Kaller-Luminous Tide

When did you first discover your creative talents? My mother introduced me to creativity as a young child.  Getting crafty on school projects and painting on shells. However the first time I realized I actually had a talent for it was in a high school art class.  One of our first projects was to sketch and draw with charcoal.  We were assigned to draw and shade an image of our hands and then turn it into something.  I drew my hand and then turned my arm into a snake! It was quite fierce now that I look back.  Having studied Hindu mythology recently, I now know snakes represents the life force, strength and rebirth. But I suppose the point of the story is that after seeing what I had created I was a little in shock that I could make something so detailed and I also felt proud. Like I found what  I was good at.  The images were displayed in a glass case near the cafeteria and I got really good feedback from other students. I guess it was at that moment! Having pride as I walked to the lunch room everyday.

For an artist, selling their first piece of work is a memorable moment. Tell us about your first piece or a special piece that was sold.  Every time I sell something is memorable moment! It really reinforces the fact that I can live and prosper as an artist.  I refuse to believe in the myth of the struggling artist.  But the very first art show I had was pretty memorable.  I didn’t know what to expect!  I had sold a few pieces to friends and family along the way but to sell to someone you don’t really know means alot to me.  It means you reached an audience.  After my first show I sold a piece called “Letting Go”.  It was one of my first abstract paintings were I literally let go when I was painting it.  I had been creating more impressionistic work and at this point I was wanting to be more free and abstract. In addition my client  that bought the work commissioned me to create 2 more paintings to add to  “Letting Go” creating an original Triptych for her.  This was one of my first sales and commissions at the same time.  This was a very exciting moment for me.

Favorite museum? Any museum I walk into is my favorite! Since I was little I loved going to museums on school trips.  There is an energy that is palpable, inspiring and divine.  Its quiet, meditative, and the life of each painting vibrates Sam Francis - Norton Simon Museumoff the walls and into your psyche.  One of my favorites in California is The Norton Simon Museum in Pasadena.  There hangs one of my all-time favorite mural paintings by Sam Francis.  It takes up an entire wall hanging 13 x 20 feet. It’s drippy, vibrant  and has emotional impact at first glance.  This work has been an influential in the way I create art. 

If you were to give a room full of emerging artists one bit of advice, what would that be? Your studio is sacred space.  Get weird as much as possible.  Be grateful for everything.  Little prayers to the universe work.  If there is something or someone that speaks to you have a conversation, there is something you need to hear. When the going gets tough keep creating.

If you were to receive an “Artist of the Year Award,” who would be the first person you would thank and why? My family and for all those teachers along the way. My husband especially. When I left a decent-paid job Revelation-Kathleen Kallerto paint my husband was 100% supportive. As an artist himself he realizes the importance of the creative process. He has infused my work with encouragement and love. He also gives me really good criticism on my work and he is the only person I may alter a painting for after hearing his commentary. My mother has also been really helpful in the process as she is a painter too and has great tips. I truly feel blessed to have the resources to be an artist. It is a magical profession.

Who are your favorite artists? These artists continue to inspire, mentor and influence my work and journey as an artist. SACO (Susan Ann Christiana O’Connell), Sam Francis, Vibul Wonprasat, Francoise Gilot, Saule Piktys, Sage Vaughn, Trudy Montgomery, Darren Waterston, Picasso, William de Kooning, Helen Frankenthaler, Joan Mitchell, Lee Krasner, Benzo Theodore, Laura Amazzone, Elaine de Kooning, and Mary Addison Hackett.

Artist: Kathleen O’Connell Kaller
Title: Luminous Tide
Medium: Oil on canvas
Dimensions: 40”x40”

Paul ShampinePaul Shampine